Shakespeare on Better Book Titles.

desiderata, max ehrmann, 1927
whenever i read this i wish i could whisper it in the ear of every tiny person in the universe
john green - froghoppin’ with gatsby
“when i was growing up i felt that mathematics was this arbitrary set of rules that had been created for the arbitrary purpose of hurting my feelings and when a lot of people read literature critically they feel similarly”
things i watch before work over my bagel, vitamins and coffee
Raskolnikov’s inbox by Jimmy Chen of HTML Giant
how cute of an option would creating a character’s inbox be on a book report menu?
I may not have been sure about what really did interest me, but I was absolutely sure about what didn’t.
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| — | The Stranger, Albert Camus |
Romeo and Juliet poster by Beetroot Design Group: Every “Romeo” and “Juliet” throughout the entire text of the play is connected resulting in a web of 55,440 red lines.
It’s not that students don’t ‘get’ Kafka’s humour but that we’ve taught them to see humour as something you get — the same way we’ve taught them that a self is something you just have. No wonder they cannot appreciate the really central Kafka joke — that the horrific struggle to establish a human self results in a self whose humanity is inseparable from that horrific struggle. That our endless and impossible journey toward home is in fact our home. It’s hard to put into words up at the blackboard, believe me. You can tell them that maybe it’s good that they don’t ‘get’ Kafka. You can ask them to imagine his art as a kind of door. To envision us readers coming up and pounding, not just wanting admission but needing it, we don’t know what it is but we can feel it, this total desperation to enter, pounding and pushing and kicking, etc. That, finally, the door opens… and it opens outward: we’ve been inside what we wanted all along.
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| — | David Foster Wallace (“Laughing With Kafka”) |


